Name: Edgar Allan Poe
Birth date: January 19th, 1809
Death date: October 7th, 1849
Education: University of Virginia, U.S. Military Academy at West Point
Place of Birth: Boston, Massachusetts
Place of Death: Baltimore, Maryland
"Much of what we know about Poe is wrong, the product of a biography written by one of his enemies in an attempt to defame the author’s name." (5)
Best Known For: Poe was an American short-story writer and poet, known for poems like The Raven and Annabel Lee. His writings were often dark, mysterious, and depressing, earning the nickname "Father of the Detective Story", and he is said to have been a mystery himself.
Early Life: Poe never really knew his parents, who were traveling actors. His other brother William Henry Leonard Poe was also a poet before his early death, and his sister Rosalie Poe grew up and taught penmanship at a Richmond girls’ school. His mother died when he was only three years old, and his father left the family very early on. Poe lived with John Allan, a successful tobacco merchant, and his wife Frances, who lived in Richmond, Virginia. Poe was quite fond of Frances, but never grew as close with John. The Allans also had some money issues. Poe did not receive nearly enough money from Allan when he went to the University of Virginia in 1826. He tried to gamble to settle the difference, but ended up in debt. To make matters worse, he also found out that his neighbor and fiancee Elmira Royster (or Elmira Shelton) was engaged to someone else, which probably had to do with her father's disapproval and Poe's leave to the University of Virginia in 1826. At this point, Poe left the Allans after an altercation with John over taking a position in the Allen's business and ran away to Boston (5).
Early Career: Poe published his first book, Tamerlane and Other Poems in 1827, and then published a second collection, Al Aaraaf, Tamerlane, and Minor Poems in 1827. He then won a spot at U.S. Military Academy at West Point in 1830. Poe was kicked out of West Point after a year. He was a phenomenal student, however, he handled his duties poorly. It is speculated that maybe he was seeking to be court-martialed. During this time, ties with John Allan were severed after fighting. Once Poe left the Academy, he focused solely on his writing. He lived in many places, including New York City, Baltimore, Philadelphia, and Richmond. During his time in Baltimore (from 1831 until 1835), he stayed with his aunt Maria Clemm and her daughter Virginia. Poe was inspired and smitten with Virginia. The two were married in 1836, and it is unclear whether she was 13 or 14 years old at the time, however, he would have been 27. Around this time, Poe also began working for a magazine called the Southern Literary Messenger. He was a vicious critic, although he also published some of his own work. His only novel ever written, The Narrative of Arthur Gordon Pym was included in the magazine. However, Poe's aggressive attitude, as well as his problems with alcohol, caused him to leave the magazine in 1837. He later worked for two other magazines, Burton's Gentleman's Magazine and The Broadway Journal.
Major Works: In the late 1830s, Poe published a collection of stories called Tales of the Grotesque and Arabesque. It contained several of his most gruesome and mysterious works, including "The Fall of the House of Usher," "Ligeia" and "William Wilson." Poe also may have began a new form of detective fiction in 1841, when he wrote "The Murders in the Rue Morgue." Poe then went on to win a literary prize in 1843 for "The Gold Bug," a story of hunting treasure.
Poe became "a literary sensation" in 1845 when the poem "The Raven" was published. The poem is still considered a great American literary work, and one of the best of Poe's whole career. In the poem, Poe explores some of his usual themes, like death and loss. His narrator mourns over the demise of his love, Lenore, and the phrase "quoth the raven, nevermore," encompasses the mournful tone of the piece. That same year, Poe was under attack for criticizing his fellow poet Henry Wadsworth Longfellow. Poe claimed that Longfellow, who was hugely popular, was a plagiarist, and this accusation may have been a setback for Poe.
Other notable works, in many forms, include"The Philosophy of Composition," "The Poetic Principle" and "The Rationale of Verse." He also wrote another thriller tale, "The Cask of Amontillado," and more poetry, including "Ulalume" and "The Bells."
Spotlight on The Raven (11):
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore--
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door--
Only this and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;--vainly I had sought to borrow
From my books surcease of sorrow--sorrow for the lost Lenore--
For the rare and radiant maiden whom the angels name Lenore--
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me--filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door--
Some late visiter entreating entrance at my chamber door;
This it is and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"--here I opened wide the door--
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"--
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping something louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is and this mystery explore--
Let my heart be still a moment and this mystery explore;--
'Tis the wind and nothing more.
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he,
But, with mien of lord or lady, perched above my chamber door--
Perched upon a bust of Pallas just above my chamber door--
Perched, and sat, and nothing more.
Then the ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore--
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning--little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door--
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if its soul in that one word he did outpour
Nothing farther then he uttered; not a feather then he fluttered--
Till I scarcely more than muttered: "Other friends have flown before--
On the morrow he will leave me, as my Hopes have flown before."
Then the bird said "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore--
Till the dirges of his Hope that melancholy burden bore
Of 'Never--nevermore.'"
But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore--
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee--by these angels he hath sent thee
Respite--respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!--
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted--
On this home by Horror haunted--tell me truly, I implore--
Is there--is there balm in Gilead?--tell me--tell me, I implore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!
By that Heaven that bends above us--by that God we both adore--
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore--
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul has spoken!
Leave my loneliness unbroken!--quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming
And the lamp-light o'er him streaming throws his shadows on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted--nevermore!
Later Life: Poe lived out a dream of his, running his own magazine, when he bought out the owners of the Broadway Journal. It only lasted for a brief while, and was considered a failure. At this time, his wife also had contracted tuberculosis, and her health was deteriorating. Poe seemed to be haunted by tuberculosis his whole life, as it also took the lives of his mother, brother, and foster mother. Among the issues with illness in his marriage, there were also rumors spreading about Poe’s relationship with another woman, Frances Sargent, who was married. These rumors drove him out of the city in 1846. He then moved to a little cottage in the country. There, in the winter of 1847, Virginia died at twenty four years old. Poe was devastated and heartbroken, and gave up writing for months. Poe only lived another two years. He spent much of that time traveling from city to city, giving lectures and finding backers for his latest proposed magazine project to be called The Stylus. During this time, he also saw many women. Nancy Richmond, a married woman, inspired some of his greatest poetry, including “For Annie.” Since she was married, and unattainable by him, Poe attempted to marry another poet, Sarah Helen Whitman in Providence, but the engagement only lasted for a month. In Richmond, he found out that his first fiancée Elmira Royster Shelton was now a widow, so began to court her again.
Mysterious Death: "Was Poe drunk when he was found on the street in Baltimore on October 3, 1849? Dr. J. Evans Snodgrass, the man who sent Poe to the hospital in a carriage, said in 1856 and 1867 that Poe was indeed intoxicated. Dr. John J. Moran, however, Poe’s attending physician for the final few days of his life, insisted in 1875 and 1883 that Poe had no trace of alcohol in his system and had probably been beaten by thugs. Both of these men, having endured whatever passed as medical training in those days, are equally credible witnesses. Moran has the advantage of having spent more time examining Poe, but he has partially discredited himself by leaving us at least three romanticized and somewhat contradictory accounts. Snodgrass, having left a more coherent account, has generally been accepted by biographers, but he was a radical temperance man and saw in Poe’s death a means of persuading others to abandon alcohol entirely. He may have exaggerated his claims to bolster his own moral position. (Indeed, his first article was written for the Woman’s Temperance Paper of New York City.) He may also simply have been wrong. Curiously, Snodgrass misquoted Walker’s important note describing Poe’s condition, changing “a gentleman, rather the worse for wear” first to “deep intoxication” and later to “beastly intoxication.” Whichever account you accept depends more on bias and whim than reason." (4)
Another possible cause of Poe's death is described as a "acute congestion of the brain", possibly attributed to rabies.
After Death: Poe's literary rival Rufus Griswold wrote an obituary of Poe in an attempt of revenge for some of the offensive things Poe had said and written about him. Griswold then wrote a memoir where Poe was portrayed as a drunken, womanizing madman with no morals or friends. Griswold wanted to public to dismiss all of Poe's life and works because of his negative image, but the biography had exactly the opposite effect. Sales of Poe’s books rose higher than they had ever been during his lifetime. Griswold’s distorted image of Poe created the Poe legend that lives to this day.
Poe and Women: Poe had a very complicated relationship with women throughout his life. Edgar's mother and father separated when he was very young. Edgar never truly knew his mother, who had died when he was around three. He was separated, for the most part, from his sister after being placed in the Allen's home following his mother's death. He laments in letters later how he wished he could have known her. As he was taken in with the Allen's, he had anxiety concerning his adoptive mother. During this time, Poe also found motherly support in a classmates mother, Mrs. Stanard (an inspiration for "To Helen"). He saw her as the embodiment of beauty and fell in love with her. Yet, soon she died after swiftly falling ill and suffering from delusions. Mrs. Allen, too, later perished while he was attending West Point and out of the house, leaving him with regret and sorrow.As a young man, Edgar also pursued a young woman, Sarah Royster. The two courted for quite some time, but her father ultimately cut off their entanglement. Following his stint away at West Point and having a strained relationship with Mr. Allen, Poe went to live with his Aunt Maria and his grandmother. Though his grandmother was paralyzed and was most likely unable to interact with him, his Aunt Maria played an important role in his life (the woman behind "Eleonora"). Though she caused many troubles for him (some even say hindered his career), she helped care for him from his twenties to his forties and was one of the most supportive people in his life. During this time, he also fell in love with his cousin, Virginia, and was wed to her. However, she soon died (emphasized in "Annabel Lee") at the age of 25. Following his wife's death (which would mark the beginning of some extreme emotional turmoil for Poe), he reunited with the recently widowed Sarah Royster. He fell for her again and soon asked for her hand in marriage to which she said she was not ready. Soon, Edgar turned his attentions to Sarah Whitman. Their relationship was quick, they became engaged and soon broke it off (on Christmas no less). Following his death, she became one of his most ardent supporters. Finally, he once again tried again with Royster. They reunited, and it was likely they were planning for marriage. However just two weeks after their relationship picked back up, Poe was found dead. (12)
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Literary Influences: Critics suggest that Poe was greatly influenced by Lord Byron, John Keats, and Percy Bysshe Shelley. Poe imitates Byronian heroism in his early works, then later develops his style with influence from Keats' pictorial imagery and Shelley's ideas of hope and individualist-centered writings (3).
Movement/Style: Poe is considered one of the most influential writers during the Romantic Movement in America. His works often include unreliable narrators that suffer from a mind-altering addiction and/or abnormal psychological afflictions . Often grotesque, dark, and melancholy in nature; Poe's works often fall under the Gothic Tradition of writing (7).
Influence/impact: Poe is very much credited for introducing American literature to the genres of fantasy, science fiction, and mystery. Poe has inspired many authors including (but not limited to): Arthur Conan Doyle (2), Ambrose Bierce (1), Charles Baudelaire, and Stephen King.
Adaptations:
- Film: Numerous adaptations have been made for Poe's works, including in short film, animation, and feature-length films (Janisgoody). "The Fall of the House of Usher" was one of the first to be adapted into film in 1928. Later on, in 1960, the same story was adapted into a feature-length film and the director won a Golden Globe. Some of his mystery works were adapted, including "Murders in the Rue Morgue" (1932, 1986), "Mystery of Marie Roget" (1942), and "Phantom of the Rue Morgue" (1954). Other works, such as "The Pit and the Pendulum," "Masque of the Red Death," and "The Tell-Tale Heart" have multiple adaptations. The most recent adaptation is "Extraordinary Tales" released in 2013 which uses 5 of Poe's short stories. Regarding Poe himself and not just his works, some filmmakers have sought to capture the man behind the story in recent years. In 2004 accredited animator Michael Sporn began work on Poe, an animated feature about Edgar Allen Poe’s life, but it did not see completion as Sporn passed away in 2014. "Edgar Allan Poe: Buried Alive" was released in 2017 as a biographical documentary that followed the many mysteries and curiosities of Poe in his life and death.
- Television: Allusions to Poe and his work have also been featured in various television shows such as Boy Meets World, Gilmore Girls, South Park, Spongebob, and multiple episodes of The Simpsons. In fall of 2023 Netflix released a mini-series, The Fall of the House of Usher, titled after and loosely based off one of his short stories.
Quotes:
"The death of a beautiful woman is unquestionably the most poetical topic in the world." -- Edgar Allan Poe
"The object, Truth, or the satisfaction of the intellect, and the object, Passion, or the excitement of the heart, are, although attainable, to a certain extent, in poetry, far more readily attainable in prose." -- The Philosophy of Composition
"All that we see or seem is but a dream within a dream." -- A Dream Within a Dream
"I became insane, with long intervals of horrible sanity."- Edgar Allan Poe
"Beauty of whatever kind, in its supreme development, invariably excites the sensitive soul to tears."- Edgar Allan Poe
List of Works:
Tales
Poetry
Other Works
Reception:
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“The forms which his lively curiosity takes are those in which a preadolescent mentality delights.”-T.S. Elliott (9).
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“More than any romantic poet, here or in England, either of the preceding generation of Coleridge, Wordsworth, and Bryant, or of his own, he became the type … of the alienated poet, the outcast…” and “There are … poems by Poe that I believe everybody can join in admiring.”-American Poet and Critic, Allen Tate
Further Reading
- Quinn, Arthur Hobson. Edgar Allan Poe: A Critical Biography. New York: D. Appleton-Century, 1941.
- Punter, David. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. London: Longman, 1980.
- Ackroyd, Peter. Poe: A Life Cut Short. London: Chatto & Windus, 2008.
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Videos
Edgar Allan Poe- The Raven-Read by James Earl Jones
The Tell-Tale Heart by Annette Jung
Works Cited
1. Decker, James. “American Literature: The Beginning to 1865” class notes on Edgar Allen Poe.
2. Eckert, Mallory. “Edgar Allan Poe.” Oswego.edu. Web. 15 Oct 2015. < http://www.oswego.edu/~meckert/Poe/inspiration>
3. “Edgar Allan Poe.” The Poetry Foundation. Web. 15 Oct 2015.
6. “Matthew Perales Top 10 Books Inspired By Edgar Allan Poe.” The Guardian. Fiction Top 10s, 22 may 2006. Web. 15 Oct 2015. <http://www.theguardian.com/books/2006/may/23/top10s.poe >
7. Perkins, George., and Barbara Perkins. The American Tradition in Literature. Vol 1. Twelfth Ed. New York, NY, 2009. Print.
9. “Poe’s Literary Influence.” Handout.The Big Read. National Endowment for the Arts: 18. Web. 15 Oct 2015.
10. Rahn, John. “Romanticism.” The Literary Network. 2011. Web. 15 Oct 2015.
12. Stovall, Floyd. "THE WOMEN OF POE'S POEMS AND TALES." Studies in English 5 (1925): 197-209. Web
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